By Noam M. Elcott
In exploring how synthetic darkness formed smooth artwork, movie, and media, Noam M. Elcott addresses seminal and imprecise works along their websites of production—such as images darkrooms, movie studios, and laboratories—and their websites of reception, together with theaters, cinemas, and exhibitions. He argues that artists, scientists, and entertainers like Étienne-Jules Marey, Richard Wagner, Georges Méliès, and Oskar Schlemmer revolutionized not just photos but in addition every thing surrounding them: the display, the darkness, and the event of our bodies and area. on the center of the publication is “the black screen,” a know-how of darkness that spawned today’s blue and eco-friendly displays and has undergirded a variety of complex artwork and picture practices to this day.
Turning widely used artwork and movie narratives on their heads, Artificial Darkness is a innovative therapy of an elusive, but basic, element of paintings and media history.
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Artificial Darkness: An Obscure History of Modern Art and Media by Noam M. Elcott
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